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Instaurant une réelle rupture dans l’histoire du bijou, il revendique l’utilisation de matériaux non précieux. L’humour et une réelle aptitude pour l’assemblage lui font introduire des objets rebus dans ses créations dès les années 1970, : cols de bouteilles, écrous, bouchons de champagne, clés… ainsi que des éléments végétaux, détritus, bois flottés, oeufs de caille, os, cailloux, écailles de poisson, coquillages… Souvent ses créations sont animées de cet esprit d’irrévérence propre à Dada et aux surréalistes et aux artistes pop américains dans l’art de l’assemblage. Son tropisme de l’ailleurs rencontre en 1990, l’univers d’Issey Miyake, entraînant une féconde collaboration. En 2007, Jonemann est au démarrage de la création de Petit h pour la maison Hermès.
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